Season V, 2016
Medium: Oil, acrylic, and graphite on pine board
Size: 48″ x 72″; Edition: 1/1 (unique)
Mangrove Up, 2012
Medium: digital mixed-media; archival pigment print
Size: 45.25″ x 74.75″; Edition: 1/1
Red Lemon, 2015
Medium: digital mixed-media; Lightjet on Kodak Endura Metallic
Size: 24″ x 30″; Edition: 2
Jame, 2012
Medium: digital mixed-media; archival pigment print
Size: 15″ x 22.5″; Edition: 2
Blue Lemon, 2015
Medium: digital mixed-media; archival pigment print
Size: 16″ x 20″; Edition: 2
Untitled Head, 2013
Medium: digital mixed-media; archival pigment print
Size: 13.4″ x 14.9″; Edition: 2
Earlier, 2012
Medium: digital mixed-media; archival pigment print
Size: 12.625″ x 16.75″; Edition: 3
Garden Spell, 2014
Medium: digital mixed-media; archival pigment print
Size: 17″ x 17″; Edition: 5
Brown Lemon, 2015
Medium: digital mixed-media; archival pigment print
Size: 12.8″ x 16″; Edition: 2
Planet Print, 2015
Medium: digital mixed-media; archival pigment print
Size: 17″ x 17″; Edition: 2
Official, 2015
Medium: digital mixed-media; archival pigment print
Size: 48″ x 72″; Edition: 1/1
Supersymmetry II, 2014
Medium: screen print on dibond
Size: 96″ x 96″; Edition: 1/1
Medium: screen print on acrylic
Size: 96″ x 96″; Edition: 1/1
Supercollider, 2012
Medium: digital mixed-media; Lightjet on Fuji Crystal Archive Flex
Size: 48″ x 48″; Edition: 3
Adobe Mask, 2012
Medium: digital mixed-media; Lightjet on Fuji Crystal Archive Flex
Size: 22.5″ x 27.87″; Edition: 3
Beyond the Fall, 2011
Medium: digital mixed-media; archival pigment print
Size: 64″ x 43″; Edition: 3
Untitled Greens, 2010
Medium: digital mixed-media; archival pigment print
Size: 20″ x 15″; Edition: 5
Real Safe Myth, 2015
Medium: digital mixed-media; archival pigment print
Size: 9.2″ x 10.40″; Edition: 2
Our Ground, 2009
Medium: digital mixed-media; archival pigment print
Size: 60″ x 60″; Edition: 3
Bow, 2012
Medium: digital mixed-media; Lightjet on Kodak Endura Metallic
Size: 23.625″ x 15.5″; Edition: 3
We’ll Watch Twin Peaks, 2009
Medium: digital mixed-media; archival pigment print
Size: 54″ x 36″; Edition: 3
Seer, 2012
Medium: digital mixed-media; archival pigment print
Size: 16.5″ x 22″; Edition: 2
Plans for a Home, 2010
Medium: digital mixed-media; archival pigment print
Size: 55″ x 57″; Edition: 4
Ed, 2010
Medium: digital mixed-media; archival pigment print
Size: 11″ x 11″; Edition: 5
Salt Lake Schulnik, 2010
Medium: digital mixed-media; archival pigment print
Size: 12″ x 13″; Edition: 5
William’s Bridge, 2009
Medium: digital mixed-media; archival pigment print
Size: 17″ x 17″; Edition: 5
Sarsen for the Mother of the Bride, 2009
Medium: digital mixed-media; archival pigment print
Size: 17″ x 17″; Edition: 5
Blackfoot, 2011
Medium: digital mixed-media; archival pigment print
Size: 9.13″ x 15″; Edition: 5
Bring Home the Bacon, 2010
Medium: digital mixed-media; archival pigment print
Size: 20″ x 15″; Edition: 5
Plans for a Home, 2010
Medium: digital mixed-media; archival pigment print
Size: 20.5″ x 24″; Edition: 5
Artists Retreat, 2010
Medium: digital mixed-media; archival pigment print
Size: 14.7″ x 16″; Edition: 5
Oregon Accidental, 2010
Medium: digital mixed-media; archival pigment print
Size: 15″ x 20″; Edition: 50
Teen Dream, 2010
Medium: digital mixed-media; archival pigment print
Size: 9.75″ x 11.25″; Edition: 10
Batgirl, 2011
Medium: digital mixed-media; archival pigment print
Size: 12″ x 17″; Edition: 4
Bluenose, 2011
Medium: digital mixed-media; Lightjet on Fuji Crystal Archive Flex
Size: 11″ x 15″; Edition: 4
Kind of Blue, 2011
Medium: digital mixed-media; archival pigment print
Size: 13.13″ x 11.13″; Edition: 5
Purple Jesus, 2011
Medium: digital mixed-media; archival pigment print
Size: 12.75″ x 13.13″; Edition: 5
Untitled 22, 2015
Medium: digital mixed-media; archival pigment print
Size: 16″ x 20″; Edition: 2
Greens Project (Circuit @ Prefix), 2016
Mixed media installation (projection, painting, digital prints)
Wave V, 2016
Medium: digital composite; archival pigment print
Size: 11″ x 14″; Edition: 10
Dip, 2016
Medium: digital composite; archival pigment print
Size: 11″ x 14″; Edition: 10
Look Out Lucinda, 2016
Medium: digital composite; archival pigment print
Size: 11″ x 14″; Edition: 10
Loop Wear, 2016
Medium: digital composite; archival pigment print
Size: 11″ x 14″; Edition: 10
Pluck from the Brush, 2016
Medium: digital composite; archival pigment print
Size: 11″ x 14″; Edition: 10
A Malinche, 2016
Medium: digital composite; archival pigment print
Size: 11″ x 14″; Edition: 10
A Malinche Double, 2016
Medium: digital composite; archival pigment print
Size: 11″ x 14″; Edition: 10
Hello Fellow Human, 2016
Medium: digital composite; archival pigment print
Size: 11″ x 14″; Edition: 10
Hello Lana, 2016
Medium: digital composite; archival pigment print
Size: 11″ x 14″; Edition: 10
Cave Save, 2016
Medium: digital composite; archival pigment print
Size: 11″ x 14″; Edition: 10
Cave Save (BWBlue), 2016
Medium: digital composite; archival pigment print
Size: 11″ x 14″; Edition: 10
Super Seed, 2016
Medium: digital composite; archival pigment print
Size: 11″ x 14″; Edition: 10
Super Seed (BWBlue), 2016
Medium: digital composite; archival pigment print
Size: 11″ x 14″; Edition: 10
With Picabia’s Hand, 2016
Medium: digital composite; archival pigment print
Size: 11″ x 14″; Edition: 10
With Picabia’s Hand (earlier), 2016
Medium: digital composite; archival pigment print
Size: 11″ x 14″; Edition: 10
Willow Fire, 2016
Medium: digital composite; archival pigment print
Size: 11″ x 14″; Edition: 10
Selected Works
Artist Statement
As a visual artist, I work on the frontier of expanded painting. This means that a riot of possible techniques and subjects are considered when working on a single piece. I practice a continuous reflexivity in order to address and critique the different psychological rationales and cultural schools of thought that history has provided. Working similarly to an abstract expressionist I layer and discover compositions through the creative process, one that coincides with what R.G. Collingwood described as “not expressing the unknown, but discovering the unknown.
I’m interested in painting specifically, as an object that bears a concrete, almost measurable evidence of labour on its surface. To develop these ideas, I use advanced digital image editing techniques to map out complex compositions. Essentially, I make images that blur the borders between media, challenge expectations, and let me enter into conversations about our culture and nature.
Paramount to all of this is an endeavour to engage audiences by making images that can seduce into contemplation both the naive glance and an informed critical gaze. I believe art can be a catalyst for making people aware of how perceptive they are already. The act of looking is all that is required.
Current prices range from $500 – $15,000 CAD depending on size and edition, with a few unique works exceeding the latter. Please contact the gallery for more information, including current availability and pricing.
EXHIBITIONS
Trace • Copy • Render: Alex Fischer, Rita Maas, Susana Reisman, Sharon Switzer, Circuit Gallery @Prefix ICA, Toronto, September 2016