Clocks: The Scent of Time
Photography; Inkjet Print, 2011
From the series 'Illuminated Manuscripts, The McLuhan Suite'
Illuminated Manuscripts is a project about writing, archives and photography. The images that comprise Illuminated Manuscripts are from documents in the Marshall McLuhan Fonds at the Library and Archives of Canada.
Illuminated Manuscripts is literal and is derived from the fact that McLuhan hand wrote all of his books before having them transcribed with the typewriter. In the Gutenberg Galaxy, McLuhan discusses the imposed linearity of mechanically printed language on culture, knowledge and learning in the transition from handcrafted manuscripts to the printing press. Using details from McLuhan’s manuscripts, many of which were photographed with back lighting to create a recto-verso montage of text, Illuminated Manuscripts directs attention to McLuhan’s ideas concerning the written word, the printed word, the typewriter, photography, and electronic media. Words are artifacts and they are things.
By attentively examining the visual traces and processes of inscription that Marshall McLuhan left on his documents, attributes of McLuhan’s working process regarding the sensorial experience of perception and media were also revealed. McLuhan’s attention to the extension of the senses through media relied on descriptions that highlighted the experience of tactility, haptic vision and acoustic space. McLuhan was a modern day scribe, a writing machine. In this context things speak.
Clocks: The Scent of Time
Photography; Inkjet Print, 2011
Prices in Canadian dollars. No Handling fees. Shipping is additional.
These editions are printed with archival pigment inks on a matte Fine Art paper. The ink and paper combination have a display permanence rating of 150+ years.
Print Size: We never change the aspect ratio or crop the original image. Each image is sized to maximally fill the selected dimension. All of our prints have a minimum border of a 1/4 of an inch to allow for framing.
All our editions are supervised by the artist and are accompanied by a signed and numbered certificate of authenticity. Our prints are made with the greatest attention to quality and a concern for permanence. (Learn more about Print Permanence in the FAQ.)
b. 1954, Canada
Robert Bean is an artist, writer and teacher living in Halifax, Nova Scotia. Born in Saskatchewan, he moved to Nova Scotia in 1976 to pursue a career in contemporary art and education. He obtained a BFA from the Nova Scotia College of Art and Design (NSCAD University) in 1978, and an MA in Cultural Studies from the University of Leeds, England in 1999. He is currently a Professor at NSCAD University. Bean has exhibited his work in solo and group exhibitions in Canada, the United States, Europe, South America and New Zealand.
- MA in Cultural Studies, University of Leeds, Leeds, England, UK 1999
- BFA, Nova Scotia College of Art and Design, Halifax, Nova Scotia, Canada 1978
- BA, University of Saskatchewan, Saskatoon, Saskatchewan, Canada 1976
- Nova Scotia Art Bank 2006
- The Art Gallery of Nova Scotia, Halifax, Nova Scotia 2005
- The Canadian Museum of Contemporary Photography, Ottawa 2004
- The Canada Council Art Bank 2000
- The Art Gallery of Nova Scotia 2000
- Metamorphosis, Prefix Institute of Contemporary Art, Toronto, Ontario.
Curated by Scott McLeod. January 2007
- verbatim, Akau Inc., Toronto, Ontario. Curated by Cheryl Sourkes. January 2006
- LAPSUS, Dalhousie University Art Gallery. Halifax, Nova Scotia. January 2005
- FORGET GIVING, VU. Centre de Diffusion et de Production de la Photographie. Quebec, Quebec. May 2002
- POLITICAL PHOTOGRAPHS, The Anna Leonowens Gallery, Nova Scotia College of Art and Design. Halifax, NS, October 2001
- SCREE, I-Land Gallery, Toronto. January 2001 & Gallery YHZ, Halifax, Nova Scotia. October 2001
- .txt, The Anna Leonowens Gallery. NSCAD University, Halifax, Nova Scotia. Robert Bean, David Clark, Michelle Gay, Michael Maranda, Jillian Mcdonald, Luke Murphy, Marcin Ramocki, Ilan Sandler. May 27 – June 7, 2008.
- Excision Twenty+3 Gallery, Manchester, UK. Works by Robert Bean, Michelle Bellemare and Michael Maranda. Curated by Cheryl Sourkes. February 2008
- New Acquisitions in the Nova Scotia Art Bank Unveiled, The Mary E. Black Gallery, Halifax, N.S. April 2006
- CFAT Media Train,VertexList Gallery. Brooklyn, New York. November 2005
- DISQUIET, Modern Fuel Gallery, Kingston, Ontario. Curator: Christof Migone. Works by Robert Bean, Dave Dyment, Afshin Matlabi, Diane Morin, Matt Rogalsky, USSA (Steve Bates & Jake Moore). August 24 – September 24, 2005
- Nice to Meet You, Hyundai Art Gallery, Ulsan, Korea. May, 2004
- Before the Land, Behind the Camera, The Canadian Museum of Contemporary Photography, Ottawa, Ontario
- MESSAGE: Sent and Received, Saw Gallery, Ottawa, Ontario. January 1991
- Fact or Fiction: Some Points of View in Contemporary Nova Scotian Photography, The Art Gallery of Nova Scotia, Halifax. March 1990
- “Andy Warhol’s Screen Tests and Honorary Degree”. Exhibition essay and catalogue. The Centre for Art
Tapes, Halifax, Nova Scotia. October 2008
- “Waiting for the Past”. Catalogue essay for the exhibition “Apertura” by Cora Cluett and Scott
Conarroe. The Kitchener Waterloo Art Gallery, Ontario. July 2008
- “Verbatim”, “Folds/Etudes”, “Artifacts of Research”. The Canadian Review of Art Education. Volume 34, 2007. Pp. 58-87
- “h I def’InI( )n” [High Definition]. Feature article. Blackflash, Vol. 25.1, October 2007
- “In the Flesh”. Exhibition essay and catalogue, The Center for Art Tapes, Halifax, Nova Scotia.
- Arts Award - Travel Grant. The Canada Council for the Arts. Visual Arts. February 2008
- Nova Scotia Arts Council Grant. March 2007
- SSHRC Research/Creation Grant (Social Sciences and Humanities Research Council). March 2007