April 9 – May 2, 2015
Circuit Gallery @ Prefix ICA
401 Richmond Street West, Suite 124
Toronto, ON, M6R 2G5
Reception: Wednesday, April 8, 6-9 PM
Gallery Hours: Tuesday – Saturday, 11 AM – 5 PM
Circuit Gallery is pleased to present CMYKRGB, an exhibition of new abstract photographic and installation work by Portland Oregon based artist Akihiko Miyoshi.
In this latest work, Miyoshi pushes his interest in the intersection of art and technology into new territory. While Miyoshi has consistently engaged questions specific to photographic representation – exploiting the conventions of perception, questioning the status of both the photographer/author and the referent/real in the digital age – here he extends his investigation into the very processes and conditions of contemporary image production.
“I believe we live in a moment where the torrent of the digital and the inertia of the analog collide with each other creating an aesthetic and lived experience unique to our time…. This collision is the subject of the works presented.”
The works exhibited exist, conceptually, somewhere between painting and photography. Visually, they are between formal abstraction and photographic representation.
Using photography, a medium whose indexicality clings to the real, Miyoshi performs a variety of gestures that bring to the fore the tensions between the analog and the digital. These gestures range from very material and mechanical performative actions undertaken in the studio in front of the camera (using paper, paint, light, mirrors, and the artists own body), to manipulations within the software (digital gestures such as offsetting the color channel), through to collaborations with the digital algorithms of the software – “letting it think” and act.
Miyoshi seeks to represent something of our contemporary experience of what is pervasive yet elusive, known only through the effects of optics, algorithms, data, and mediation – and experienced through screens and web browsers, 8-bit aesthetics, and virtual worlds.
The works evoke what is intangible or unrepresentable, and yet oddly familiar, by revealing something of the processes underneath the act of representation. Questioning and revealing the spaces between pigment and light, the tensions between the material and immaterial, the real and the virtual, between human and machine, between certainty and uncertainty, Miyoshi’s new work allegorically offers a way to look at the complexity of our present state.
The exhibition is accompanied by the essay, “Photography and the ‘Artifacts of Software’: Akihiko Miyoshi’s CMYKRGB,” by Toronto-based writer and researcher Emily Doucet.
Akihiko Miyoshi: CMYKRGB runs April 9 through May 2 at Circuit Gallery @ Prefix ICA, with an opening reception on Wednesday, April 8, from 6 – 9 PM.
Born in Japan, Akihiko Miyoshi received his MFA in photography in 2005 from the Rochester Institute of Technology after leaving a PhD program in Electrical and Computer Engineering at Carnegie Mellon University to pursue art. Miyoshi is an Associate Professor of Photography and Digital Media at Reed College (Portland, OR). His work explores the intersection between art and technology most frequently dealing with issues surrounding photographic representation.
His work has been exhibited widely including Portland, New York, Los Angeles, Rochester, Pittsburgh, and Toronto. He was named the International Award Winner of Fellowship 12 at The Silver Eye Center for Photography in Pittsburgh PA, and the finalist for the Betty Bowen Award from the Seattle Art Museum in 2012 and Aperture Portfolio Prize in 2013. Miyoshi received a Hallie Ford Fellowship in 2012.
Artist page: Akihiko Miyoshi
Curriculum Vitae (CV)
Akihiko Miyoshi CV [PDF]