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Philip Cheung: Arctic Front

Philip Cheung, Arctic Front
Philip Cheung, “Deactivated DEW Line Site (1), King William Island,” 2017

FOR IMMEDIATE RELEASE

Toronto, ON, January 7, 2019Circuit Gallery is pleased to present Arctic Front, a solo exhibition of new photographic work by Philip Cheung.

In 2016 Cheung was selected for the Canadian Forces Artist Program to continue his work about military cultures and environments. Arctic Front is the first chapter in a long-term project examining Canada’s various post-Afghanistan military foci and engagements—the new and future front lines of operations. Here he turns his lens North, to observe the Canadian Rangers, a part-time military unit comprised mostly of Indigenous volunteers. Cheung writes:

The Rangers have been a visible military presence in remote northern communities for over 65 years and they continue to serve as the military’s ‘eyes, ears and voice’ of the North. As the Canadian military refines its ability to operate in the region, the Rangers will continue to play an essential role in asserting Canada’s sovereignty over its Arctic land and sea.

The Arctic has always figured prominently in Canada’s national imagination and in its claims to sovereignty, but with shifting global environmental, social, economic, and political pressures, the Arctic has also become a potential military front-line, as vulnerable as it is valuable. As Cheung explains:

Canada’s Arctic is its last frontier. The Far North makes up more than 40 percent of its landmass, but contains less than 1 percent of Canada’s population. Rising sea and air temperatures due to climate change are contributing to sea-ice loss, which has opened up international interest in control over new ‘ice-free’ shipping routes in the Northwest Passage, as well as access to the significant natural resources such as oil, gas and precious metals found there.

In addition to these environmental and international concerns, the Arctic is also an important front with regard to the relationships between non-Indigenous and Indigenous people in Canada. As Sara Matthews rightly notes in “Watching the Watchers,” her essay that accompanies the exhibition:

[As] part of the sovereign colonial project in the country we now know as Canada […] the Arctic has a complicated history made from the unsettled relations between newcomers and Indigenous peoples who live and work in relationship to the land.

With over 10 years of experience in the Canadian Armed Forces prior to working as a photographer in some of the world’s most conflicted regions (Iraq, Afghanistan, the West Bank, and Northern Africa), Cheung has an informed perspective on military issues and culture that distinguishes his work from conventional media narratives and reporting. As Matthews notes:

Utilizing a medium format digital camera and tripod, his photographic process is slowed-down and mirrors the attitude of watchfulness with which his subjects are tasked. Encouraging the viewer to likewise adopt this stance of vigilant interest, each photograph offers an enigma that hints towards a greater whole.

The photographs in Arctic Front are subtle, indirect portraits of the dissonant tensions in the North between military and civilian (both settler and Indigenous) interests, resources, and labour and subsequently a contemplation of the human capacity for adaptation, survival, and endurance.

Philip Cheung: Arctic Front runs January 10 through February 2 at Circuit Gallery @ Prefix ICA, with an opening reception on Friday, January 11, from 6-9 p.m.. The Artist will be in attendance.


BIOS
Philip Cheung is a Canadian artist, based in Los Angeles and Toronto, with a significant background and experience in various forms of photography. In recent years, he has decidedly moved towards a contemporary practice focused on research and exploration of issues of citizenship, capital, labour and industrialization through a layered approach of natural and urban landscapes and portraiture. His projects include Desert Dreams, A Winter in Kandahar, The Thing about Remembering, The Edge, and Arctic Front.

His work has been exhibited in galleries, museums and festivals across North America and Europe, including The National Portrait Gallery (London, UK), the Lumix Festival (Hanover, DE) and the Flash Forward Festival (Toronto, CA).

Cheung was named one of PDN’s 30 New and Emerging Photographers to Watch and has been awarded research and production grants by the Canada Council for the Arts, the Ontario Arts Council and Toronto Arts Council. In 2018 he was shortlisted for the Aperture Portfolio Prize. In 2016 he was selected for the Canadian Forces Artist Program (CFAP) by the Directorate History and Heritage to continue a series that examines military culture in Canada’s post-Afghanistan military. Cheung has also been recognized by the Magenta Foundation, Communication Arts, Photo District News and American Photo. His work is held in the collection of Akkasah, Center for Photography at NYU Abu Dhabi, and has appeared in features and reviews in The British Journal of Photography, Canadian Art, The Walrus, Harper’s, The Washington Post, and TIME among others.

Artist Page: Philip Cheung

Sara Matthews is Associate Professor in the Department of Global Studies at Wilfrid Laurier University. Her research and teaching are interdisciplinary and consider the dynamics of war, violence and social change. Working primarily in the field of research-creation, her projects explore the relations between visual culture, nation building, colonialism and martial politics. In addition to her academic-based work, Sara curates aesthetic projects that archive visual encounters with legacies of war and social trauma. Her critical art writing has appeared in PUBLIC, FUSE Magazine and in exhibition essays for the Robert Langen Gallery, Circuit Gallery, the Ottawa Art Gallery, the Doris McCarthy Gallery and as a blog for Gallery TPW.


Philip Cheung

Arctic Front

January 10 – February 2, 2019
Circuit Gallery @ Prefix ICA
401 Richmond Street West, Suite 124
Toronto, ON, M6R 2G5
[ Google Map ]

Opening Reception: Friday, January 11, 6-9 p.m.
Gallery Hours: Tuesday – Saturday, 12:00 – 5:00 p.m.

Philip Cheung, Arctic Front
Philip Cheung, “Canadian Armed Forces C-17 Transport Aircraft, Rankin Inlet,” 2017
Philip Cheung, Arctic Front
Philip Cheung, “Arctic Response Company Learn Traditional Skills, Rankin Inlet,” 2017
Philip Cheung, Arctic Front
Philip Cheung, “Water Break, Simpson Strait,” 2017

Visit Circuit Gallery for more information and to see more images:
www.circuitgallery.com/exhibitions


ABOUT CIRCUIT GALLERY
Circuit Gallery specializes in contemporary photography. Established in 2008 by Susana Reisman and Claire Sykes, the Toronto based commercial gallery represents both emerging and established Canadian and international artists.

Web: www.circuitgallery.com

Email: info@circuitgallery.com
Phone: 647-477-2487

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Philip Cheung: The Edge

Philip Cheung, "Lifeboats, Al Jaddaf, Dubai," 2015, from 'The Edge'
Philip Cheung, “Lifeboats, Al Jaddaf, Dubai,” 2015

FOR IMMEDIATE RELEASE

New exhibition offers a contemporary look at the rapidly changing coastal landscape of the United Arab Emirates

Toronto, ON, January 4, 2017Circuit Gallery is pleased to present an exhibition of ten large-scale photographs by Philip Cheung from The Edge, a new project that follows the 1300 km coastline of the United Arab Emirates looking at the region’s rapid development and transformation.

As Cheung Explains:

The United Arab Emirates is a country in a state of constant geopolitical change. Once an obscure Gulf nation, the UAE has, in just 40 years, emerged from the desert sands. Substantial economic growth resulting from the discovery of major oil and gas reserves off the coast of Abu Dhabi have transformed the formerly semi-nomadic Bedouin society into a thriving localized culture, anchored in international business, tourism, and luxury

Significant urban and industrial development has attracted migrant workers, business people, consumers, and tourists from all around the world. Expatriates now make up 85 percent of the population in the major urban centers of Abu Dhabi and Dubai. As a result, the cultural identity of the Emirates as a whole is evolving through a constant influx of foreign influences.

The Edge is a continuation of Cheung’s successful project Desert Dreams which offered a modern portrait of the Emirates and its negotiation of a relationship between traditional culture and lifestyle and the new cosmopolitan aspirations afforded by massive wealth, intense urbanization, and economic development. With this new work Cheung turns his attention to the landscape and to the varied activities taking place along the coast. In these photographs he’s looking at the expression of these changes and ambitions through the built environment, architecture, infrastructure, and indeed the use of space—the spaces various people occupy, from local Emirati’s to Western expats and migrant labourers, and the distance between co-existing and contrasting worlds.

As Leo Hsu astutely writes, in his essay accompanying the exhibition:

Cheung’s photographs are powerful because, beyond surveying, or describing, they suggest the seeming necessity of the present moment, which in his graceful compositions feels both inevitable and eternal. At the same time, they underscore the moment’s contingency—the feeling that the cultural features on display, functions of power, economics and globalization, look so specific, when seen in the context of the landscape that has made this wealth and power possible. Where nature cannot but look as it does, the built environment betrays human ambition in the way that it assumes its specific forms. The success of Cheung’s photographs is its evocation of the tension between these two imperatives.


BIOS
Philip Cheung is a Canadian photographer with experience in various forms of photography who, since 2007, has worked extensively in the Middle East, particularly the United Arab Emirates. In recent years, his personal work has focused on research and exploration of issues of citizenship, capital, labour and industrialization through a layered approach of natural and urban landscapes and portraiture.

Cheung’s work has been exhibited in galleries, museums and festivals across North America and Europe, including The National Portrait Gallery (London, UK), the Lumix Festival (Hanover, DE) and the Flash Forward Festival (Toronto, CA), and has appeared in features and reviews in The British Journal of Photography, CNN, Boston Review and TIME, among others. Clients include The Wall Street Journal, The Guardian Weekend Magazine, Stern, The Independent Magazine, The New York Times, Der Spiegel, Le Monde and Wallpaper*.

In 2011 Cheung was named one of PDN’s 30 top emerging photographers, and in 2016 he was selected for the Canadian Forces Artist Program by the Directorate History and Heritage to continue a series that examines military culture in Canada’s post-Afghanistan military. He is currently based in Los Angeles and Toronto.

Leo Hsu is a writer, researcher and photographer based in Toronto. He is a regular contributor to Fraction Magazine and holds a PhD in Anthropology and Certificate in Culture and Media from New York University.


Philip Cheung: The Edge runs January 12 through February 4, at Circuit Gallery @ Prefix ICA, with an opening reception on Friday, January 13, from 6-9 p.m.. The artist is in attendance.


Philip Cheung

The Edge

January 12 – February 4, 2017
Circuit Gallery @ Prefix ICA
401 Richmond Street West, Suite 124
Toronto, ON, M6R 2G5
[ Google Map ]

Opening Reception: Friday, January 13, 6-9 p.m.
Gallery Hours:
Tuesday – Saturday, 11:00 a.m. – 5:00 p.m.

Philip Cheung, "Friday, Fujairah," 2014, from 'The Edge'
Philip Cheung, “Friday, Fujairah,” 2014
Philip Cheung, "Roundabout, Khor Fakkan, Sharjah," 2014, from 'The Edge'
Philip Cheung, “Roundabout, Khor Fakkan, Sharjah,” 2014
Philip Cheung The Edge Circuit Gallery
Installation view of Philip Cheung’s solo exhibition “The Edge” at Circuit Gallery @ Prefix ICA, Toronto, Canada (January 12 – February 4, 2017)

Visit Circuit Gallery for more information and to see more images:
www.circuitgallery.com/exhibitions


ABOUT CIRCUIT GALLERY
Circuit Gallery specializes in contemporary photography. Established in 2008 by Susana Reisman and Claire Sykes, the Toronto based commercial gallery represents both emerging and established Canadian and international artists.

Web: www.circuitgallery.com

Email: info@circuitgallery.com
Phone: 647-477-2487

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